Mission

For four decades, the Klein Competition has championed the world’s finest young string players through professional and performance skills, providing performance opportunities, monetary support, and a community for their growth.

We also seek to develop wider audiences for classical music in the San Francisco Bay area through the following activities:

• The Irving M. Klein International String Competition, a yearly competition which presents the world’s finest string players (ages 15-23) to local audiences.
• Collaborations with other musical organizations to produce concerts and recitals featuring young musicians.
• Outreach activities into schools and community centers to broaden the awareness of and access to great music.
• Commissioning new works in connection with its ongoing activities.

Values

We believe in RESPECT

We believe in EQUAL RIGHTS

We believe in JUSTICE

We must combat racial discrimination, oppression and social injustice. We stand in solidarity with the #BlackLivesMatter movement, the AAPI community and LGBTQ+ communities. We are committed to practicing diversity and inclusion in our work, and to maintaining an inclusive environment with equitable treatment for all.

About Founder Irving M. Klein

Virtuoso chamber musician, master cello teacher, and compassionate friend, Irving Klein served as the primary exemplar of his own conviction about musical education. He spent a lifetime in pursuit of excellence in musical performance, and he possessed a rare gift for discerning and supporting the highest motivations in others, so that wherever he lived he was continually at the growing center of a flourishing musical community.

He was born in Cleveland, Ohio, the youngest of five children in a family of Hungarian-Polish Jewish descent that placed great value upon education in the arts, despite financial struggle. Fascinated by the cello, he showed exceptional talent for it at a very early age, and spent long hours absorbed either in practice or in playing chamber music with other young musicians, many of whom remained his lifelong friends.

After high school he was drawn to New York, arriving penniless except for a musical scholarship which was quickly exhausted. He became a student of the world-renowned cellist Emanuel Feuermann, who was so impressed by Irving’s ability and determination that he taught him without charge. Mr. Klein later continued that tradition, giving countless free lessons, often opening his home to talented students, and cutting costs wherever he could so that financial difficulties alone would not prevent a serious young musician from realizing his dream.

During those early years in New York, Irving distinguished himself as one of the most promising young cellists of his generation. He was chosen to tour with Leopold Stokowski in his All-American Youth Orchestra, and was soloist with and member of the Pittsburgh Symphony under the baton of Maestro Fritz Reiner. He interrupted his musical career during World War II by enlisting with the United States Army Air Corps because of his deep concern about the growing threat of the Hitler fascist regime. He spent three years as navigator of a B25 bomber and flew many combat missions over the China-Burma-India theater, for which he was awarded the Distinguished Flying Cross. He later remembered that he had felt paradoxically calm during those extremely dangerous flights and had believed at the time that, if his life were spared, he would never again be nervous before a musical performance.

After the war he returned to New York with his wife Elaine to complete his degree in Music at New York University, and to re-establish his career as a professional cellist. His musical accomplishments were many and varied, and the most important was his eighteen-year collaboration with violinist Marc Gottlieb in the Claremont Quartet. Acclaimed as one of the finest ensembles of that era, it recorded extensively on many labels and performed world-wide, often representing the United States Department of State in cultural exchange programs. At home, the Claremont held the distinction of presenting numerous recitals in the U.S. Library of Congress.

Irving Klein’s interest in teaching developed concurrently with his growth as a performing artist, and very soon he was sought after as a teacher and mentor by aspiring young professionals wherever his quartet was in residence. He gradually committed more of his energy to the training of young people and accepted the position of Professor of Cello and Chairman of the String Department at the newly founded North Carolina School of the Arts, where he also served as director of Chamber Music at the campus in Siena, Italy. During this period he took his entire cello class to Puerto Rico to perform for Pablo Casals as a “Symphony of Cellos.”

As Music Director of the California Music Center, he continued to train and inspire young people during each summer session, drawing additional faculty from among the finest teachers and performers of his wide acquaintance. He had hoped that the CMC would ultimately develop into a year-round school for gifted performers, and he worked constantly toward that end.

Irving Klein was a most compelling performer. Aspiring to be true to the intent of the composer, his artistry revealed that spiritual communication of the work which supersedes style, form, or technical display. To study cello with him was to embark on a highly individualized experience of both musical and personal discovery. He relished the unique qualities of each student, and he delighted in solving difficult technical problems. During lessons, hours slipped away like minutes while he patiently listened and advised.

Irving Klein dedicated his life to music and to humanity. It was his talent to create that very special atmosphere of inquiry, respect, and love that served to activate the creative efforts of his musical colleagues, students, and friends. He touched many lives gently and yet so profoundly that his spirit and example will shine on through them for generations to come.

–Anne Hershey

History of the California Music Center

When Irving Klein arrived in Northern California and set up his teaching studio in 1971, he brought with him a summer music program that he and his colleagues from the North Carolina School of the Arts had begun several years earlier. The Blue Ridge Music Camp, located first in Hillsville, VA, and subsequently in Meisenheimer, NC, brought students and faculty together in a residential setting for 6 weeks of intensive study and coaching, including private lessons, chamber music, and orchestral ensembles. Upon moving west, the program became known as the California Music Center. CMC took place for eleven years on the campus of the College of Notre Dame (now Notre Dame de Namur University) in Belmont, CA, where Klein was a faculty member, and then for one year near the UC Berkeley campus.

CMC continued and expanded on the principles that had guided the creation of Blue Ridge. Vocal and piano departments were added. Students and faculty were in residence together on the campus, so that faculty were always available not only for formal lessons and classes but for reading sessions, chess and backgammon games, and other informal interaction. The curriculum encompassed private instruction, master classes, orchestra, intensive chamber music coaching, opera productions, faculty solo and chamber music recitals, and numerous student performance opportunities, all taking place within an atmosphere that balanced the highest standards with humane and supportive guidance.

Upon Irving Klein’s untimely death in 1984, it became clear that there was no one prepared to step in and carry on with the summer festival, but his family, friends, and colleagues, together with the many others who had enthusiastically supported CMC, all felt strongly that some means should be found to carry out his legacy of mentoring young musicians. A memorial concert was held to benefit the new Irving M. Klein Memorial Scholarship Fund, and after a great deal of searching, the Board of CMC entered into a partnership with San Francisco State University to present an annual competition, awarding substantial prize money to support talented young string players ages 15-23 who were completing their studies and getting ready to launch their careers. The Competition has since grown into one of the most prestigious events of its kind, attracting ever-increasing numbers of entries annually from throughout the world and helping to enhance the developing careers of players who have gone on to become renowned soloists, chamber musicians, teachers, and prominent members of the world’s finest orchestras. In recent years, previous prizewinners have returned to the Competition to perform in anniversary events, and to serve on the jury awarding prizes to the next generation of up-and-coming young artists.

Today, the California Music Center is expanding the scope of its activities beyond the Competition to include additional recitals, home concerts, master classes, symposia, and other musical presentations.